The painting reflects the impressions from a journey to Italy and to North Africa which took place in the 1930s. The Meeting is the result of Cybis's enchantment of indigenous people of Africa. Glistening of their smooth skin is contrasted with rough walls of homes resulting in certain realism. Cybis sympathetically details the lines of their faces and marks the scars of the girl's face.
The whole scene is possibly an allusion to the story of the Meeting at the Golden Gate, a depiction of the parents of the Virgin Mary, Joachim and Anne rejoicing after a long period of separation. Following this interpretation we can find a reference to one of the most famous illustrations of the scene by Giotto di Bondone (created between 1304 and 1306), strikingly similar in color palette and technique of portraying three dimensional world.
The scene is clearly divided into woman's and man's sphere emphasized by selected colors. The woman with typical feminine features of a Fulani woman is dressed in pink, while a man in a conical herdsman hat is less visible on the left and taken from the profile.
Apart from obvious inspiration by medieval Italian fresco painting, we can find some reference to the traditional African art. The men’s hat in the form of the "Mount of the world", one of the main features of the painting, was additionally emphasized in bas relief. A red handprint to the left, just as Prehistoric red ochre hand tagging, is a preliterate symbol of human presence and territory marking. Red, a primal color of emotion and attraction, symbolizes the rites of passage such as puberty or marriage. The woman have prominent facial scarification in form of scars on her nose, cheeks and forehead. Mud houses and an archway in the background are typical for North – Western Africa.
The artist, whose work was largely influenced by the art of the German New Objectivity, introduced in this composition textural effects imitating the quality of depicted material like gilding and polished surface of the sky at sunset, another reference to the Gothic painting, relief elements, glued fabric scraps and mixture of sand and plaster as a window frame.
collage on plywood, 1931, 58.5 × 73.2 cm (23 × 28.8 in), inventory number MPW 1389, on permanent display in the Gallery of 20th century art, Muzeum Narodowe w Warszawie (MNW)
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